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	<title>aaaaaaa</title>
	<link>http://www.aaaaaaa.org/a/</link>
	<description>Welcome to the online portfolio of Antoine Catala.</description>
	<language>en</language>
	<generator>SPIP - www.spip.net</generator>

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	<item>
		<title>TV Show</title>
		<link>http://aaaaaaa.org/a/?TV-Show</link>
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		<dc:date>2009-12-03T01:03:16Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-works-">works</category>


		<description>Photos of my exhibition at 179 Canal, September 25th - November 1st 09. . &lt;br /&gt;Eulogy to Television &lt;br /&gt;TV Blobs, the big spheres are made with real-time television. Same for TV through Dots, it's just a TV switched on. The Youtube video below is what the model is based on. The model was made without plans, from observation and without this youtube link, after careful observation of Fox News. The drawings, tiled TV Doodles are done large as fast as possible, with the TV playing in the (...)


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&lt;a href="http://aaaaaaa.org/a/?-works-" rel="directory"&gt;works&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;Photos of my exhibition at &lt;a href=&quot;http://179canal.com&quot; class=&quot;spip_out&quot;&gt;179 Canal&lt;/a&gt;, September 25th - November 1st 09.&lt;/p&gt;
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&lt;strong&gt;TV Blobs&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/179_Canall_Documentation_SD_lower_sound.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/179_Canall_Documentation_SD_lower_sound.flv&lt;/a&gt;&lt;/span&gt;
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&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Installation-shot-1-2337c.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_192 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Installation-shot-2-62e0c.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_202 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH348/TV_Blobs-1-ffce0.jpg' width='520' height='348' alt=&quot;&quot; style='height:348px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_196 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH391/TV-Blob-2-fbb08.jpg' width='520' height='391' alt=&quot;&quot; style='height:391px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_195 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH390/TV-Blob-1-70dc5.jpg' width='520' height='390' alt=&quot;&quot; style='height:390px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_218 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH341/TV-doodle-4-b7023.jpg' width='520' height='341' alt=&quot;TV Doodle&quot; title=&quot;TV Doodle&quot; style='height:341px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_219 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH439/you_re-doing-enough-b1d90.jpg' width='520' height='439' alt=&quot;&quot; style='height:439px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_220 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH436/what-do-you-think-of-this-b16c8.jpg' width='520' height='436' alt=&quot;TV Doodle Detail&quot; title=&quot;TV Doodle Detail&quot; style='height:436px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_200 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/TV-thru-dots-1-498a0.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_199 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/TV-Thru-Dots-2-8541e.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_193 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/News-at-10-1-5fc40.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_194 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH385/News-at-10-2-99cc1.jpg' width='520' height='385' alt=&quot;&quot; style='height:385px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_214 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH308/News-at-10-Top-View-774d6.jpg' width='520' height='308' alt=&quot;&quot; style='height:308px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_215 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH508/News_at_10_pedestal-6bcc2.jpg' width='520' height='508' alt=&quot;&quot; style='height:508px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;span class='spip_document_216 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/the-room-b44b5.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Eulogy to Television&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;TV Blobs&lt;/strong&gt;, the big spheres are made with real-time television. Same for &lt;strong class=&quot;spip&quot;&gt;TV through Dots&lt;/strong&gt;, it's just a TV switched on. The Youtube video below is what the model is based on. The model was made without plans, from observation and without this youtube link, after careful observation of Fox News. The drawings, tiled &lt;strong class=&quot;spip&quot;&gt;TV Doodles&lt;/strong&gt; are done large as fast as possible, with the TV playing in the background, as a near perfomative act. Both attempt at recapturing what the TV left in me, the drawings temporarily and the model, spatially:&lt;/p&gt;
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	</item>



	<item>
		<title>Video with NAUM</title>
		<link>http://aaaaaaa.org/a/?NAUM</link>
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		<dc:date>2009-12-03T00:59:08Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-events-">events</category>


		<description>The video is distorted real-time while the band NAUM (composed of Justin Craun and Brooke Gillespie &#8211;&#160;the young woman in the video) is playing. &lt;br /&gt;Live at the Mattress Factory, Pittsburgh (march 09).


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&lt;a href="http://aaaaaaa.org/a/?-events-" rel="directory"&gt;events&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;The video is distorted real-time while the band NAUM (composed of Justin Craun and Brooke Gillespie &#8211;&#160;the young woman in the video) is playing.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Live at the Mattress Factory, Pittsburgh (march 09).&lt;/p&gt; &lt;dl class='spip_document_205 spip_documents spip_documents_left' style='float:left;'&gt;
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&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/Sequence_with_Original_Music_Long_Extract_.flv&amp;width=720&amp;height=480&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=With+NAUM+at+the+Mattress+Factory&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
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&lt;strong&gt;With NAUM at the Mattress Factory&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/Sequence_with_Original_Music_Long_Extract_.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/Sequence_with_Original_Music_Long_Extract_.flv&lt;/a&gt;&lt;/span&gt;
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	<item>
		<title>Statement - Proposal - Budget</title>
		<link>http://aaaaaaa.org/a/?Statement-Proposal-Budget</link>
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		<dc:date>2009-07-27T03:14:07Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Statement-Proposal-Budget-">Statement - Proposal - Budget</category>


		<description>Statement &lt;br /&gt;We believe in B-art, as in B-movies. Based on a previous collaboration (Projector on a Swing), we want to create shivering gray silicone rubber pedestals for video projectors in the basement of Sculpture Center. &lt;br /&gt;Antoine Catala works with video and TV streams. Using a computer, he has transformed television signals in real-time and projected it onto walls, into what look like huge spinning, multi-bubble shapes, appearing to float in the gallery space (TV Blobs). He has created (...)


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&lt;a href="http://aaaaaaa.org/a/?-Statement-Proposal-Budget-" rel="directory"&gt;Statement - Proposal - Budget&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;h3 class=&quot;spip&quot;&gt;Statement&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;We believe in B-art, as in B-movies. Based on a previous collaboration (Projector on a Swing), we want to create shivering gray silicone rubber pedestals for video projectors in the basement of Sculpture Center.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Antoine Catala works with video and TV streams. Using a computer, he has transformed television signals in real-time and projected it onto walls, into what look like huge spinning, multi-bubble shapes, appearing to float in the gallery space (TV Blobs). He has created videos based on digital compression errors (Couple in a Garden). The results are colorful, hallucinatory, video portraits of faces that seem to be forever melting, as if conjured from a malfunction in the viewer's central nervous system.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Dean Kenning's work focuses on the bodily transmutation of projected images, and the anthropomorphic metamorphosis of 3D artworks. For example, in a series of spasmodically jerking silicone rubber sculptures (Plants), he humorously &#8216;gives life' to what sits on top of the plinth. He often makes use of projections in live work, such as Sunset Over Civilisation, where an electric fan was transformed into a talking head that gives a psychedelic slide show lecture. &lt;br /&gt;.&lt;/p&gt; &lt;h3 class=&quot;spip&quot;&gt;Proposal&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;The installation consists of two kinetic pedestals for video projectors. The proposal builds on our previous collaboration Projector on a Swing (Christine Mayer Gallery, Munich 2008) in which the video apparatus, turned to default blue screen awaiting input, is relentlessly knocked back and forth on a swing by a rubber hand attached to a fucking machine. Like a horror movie, we want to create two anthropomorphic pedestals that mimic hybrid life forms: trembling matter with stunted limb-like branches. We are proposing this work for Space C at the Sculpture Centre, i.e. the cellar, with all its fairy tale and horror movie associations.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Our pedestals will consist of cast trunks of gray silicon rubber, resembling a vaguely vegetal mass, something like a pale toadstool. A projector sits precariously on top of each trunk. An infra-bass speaker will cause the trunk to vibrate and thus wobble the projector on top. The image projected on the walls will tremble accordingly.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The basement space will be dark, the sole sources of light emanating from the projectors. Because of this doubled, intense spot-like lighting, the audience will be spatially disorientated, thus eliminating the comfortable psychological distance between themselves and the image.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;A contact microphone will record the noise made by the projectors &#8211; electronic hum plus whir of the internal fan &#8211; which will then be turned into sub-audible infra-bass and fed through the speakers concealed at the base of the trunks. Although barely audible, the sound vibrations which cause the rubber pedestals to move will create a disconcerting, subliminal ambience.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;As a structuralist notion, the idea is to displace visual content and treat degree zero video projections as special effects in themselves: the projectors will not show any externally received images; rather they will display the default screen when a projector is turned on (usually a blue screen with logo, and a line of text saying: &#8216;Please select video source'). The sculptures act as placeholders for video content, they are receptacles for any potential moving images emanating from the spectators own imagination. The &#8216;movie' is not the static screen images beamed by the projectors; the &#8216;movie' is the moving pedestal. The trembling rubber pedestals ironically address the operational role of the plinth as a stabilizer of both gravity and aesthetic value.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The set up is a closed loop, cut off from external visual/audio content, feeding off itself. Deprived of image supply the shell-like materiality of the equipment is emphasized through the crude physical animism &#8211; vouched for by the quixotic movement of static default screens. Against compliant mass media saturation, our grotesque, troglodytic assemblage is intended to transport one imaginatively to the primitive origins of shadow play phantasmagoria on cave walls.
&lt;br /&gt;.&lt;/p&gt; &lt;h3 class=&quot;spip&quot;&gt;Budget&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;We assume that the projectors will be lent by Sculpture Center or other organisation.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://aaaaaaa.org/a/local/cache-vignettes/L8xH11/puce-54711.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Silicone Rubber: $500
&lt;br /&gt;&lt;img src=&quot;http://aaaaaaa.org/a/local/cache-vignettes/L8xH11/puce-54711.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; 2 vibration shakers: $100
(http://www.amazon.com/gp/product/B0002ZPTBI/ref=pd_luc_arr_02_02)
&lt;br /&gt;&lt;img src=&quot;http://aaaaaaa.org/a/local/cache-vignettes/L8xH11/puce-54711.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; 1 hifi system with subwoofer crossover: &lt;br /&gt;&lt;img src=&quot;http://aaaaaaa.org/a/local/cache-vignettes/L8xH11/puce-54711.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; 2 contact microphones: $50
(http://www.contactmicrophones.com/)
&lt;br /&gt;&lt;img src=&quot;http://aaaaaaa.org/a/local/cache-vignettes/L8xH11/puce-54711.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; 1 subwoofer amplifier: $110
(http://www.amazon.com/Dayton-SA100-100W-Subwoofer-Amplifier/dp/B0002KRAP6/ref=sr_1_6?ie=UTF8&amp;s=electronics&amp;qid=1248150901&amp;sr=1-6)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Total: $760&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Sunset over Civilisation</title>
		<link>http://aaaaaaa.org/a/?Sunset-on-Civilization</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?Sunset-on-Civilization</guid>
		<dc:date>2009-07-02T02:16:03Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Videos-">Videos</category>


		<description>. Sunset over Civilisation &lt;br /&gt;Work by Dean Kenning &lt;br /&gt;2006 &lt;br /&gt;Performance &lt;br /&gt;Performed at Foul Side of the Sun at Bar-A-Bar, London, and Itchy Park, Limehouse Town Hall, London. &lt;br /&gt;The piece takes its title from art historian Sir Kenneth Clark's monumental TV series from the late 60s Civilisation. A decrepit &#8216;professor' made from a moving electric fan, delivers an apocalyptic lecture from behind a desk. His words (pre-recorded by an actor) are delivered through a speaker-mouth and into a microphone, and his (...)


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&lt;a href="http://aaaaaaa.org/a/?-Videos-" rel="directory"&gt;Videos&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;dl class='spip_document_169 spip_documents spip_documents_left' style='float:left;'&gt;
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&lt;strong&gt;Sunset Over Civilisation&lt;/strong&gt;
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&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Sunset over Civilisation&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Work by &lt;strong class=&quot;spip&quot;&gt;Dean Kenning&lt;/strong&gt;
&lt;br /&gt;2006&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Performance
&lt;br /&gt;Performed at Foul Side of the Sun at Bar-A-Bar, London, and Itchy Park, Limehouse Town Hall, London.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The piece takes its title from art historian Sir Kenneth Clark's monumental TV series from the late 60s Civilisation. A decrepit &#8216;professor' made from a moving electric fan, delivers an apocalyptic lecture from behind a desk. His words (pre-recorded by an actor) are delivered through a speaker-mouth and into a microphone, and his head moves from side to side. Meanwhile I operate the slide projector, changing slides when the &#8216;professor' announces that I should do so, and spilling ink and acid onto the series of famous paintings and drawings projected on the screen. The usually serene, disembodied character of the lecture format, with its stage-like quality (podiums, spotlights, etc.) is estranged and rendered grotesquely physical, whilst the academic litany of old master slides transmutes into a psychedelic show.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Plant</title>
		<link>http://aaaaaaa.org/a/?Plant</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?Plant</guid>
		<dc:date>2009-07-02T02:01:28Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Videos-">Videos</category>


		<description>. Plant &lt;br /&gt;by Dean Kenning &lt;br /&gt;2009 &lt;br /&gt;Silicon rubber, Styrofoam, motor &lt;br /&gt;4 feet x 13 inch x 13 inch &lt;br /&gt;One in a series of works of rubber kinetic sculptures with Styrofoam. The tuberous rubber forms are vaguely plant-like, but are also reminiscent of internal bodily structures such as nerves or veins. The chemical character of the material (Styrofoam, silicone rubber) makes this a totally artificial, poisonous (non-biodegradable) or alien type of nature. The aesthetic lies for the most part in the (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;dl class='spip_document_168 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt class='spip_doc_titre'&gt;
&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; width=&quot;720&quot; height=&quot;540&quot;&gt;
&lt;param name=&quot;movie&quot; value=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; /&gt;
&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/Deans_Taxter_Plant.flv&amp;width=720&amp;height=540&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=Plant&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt;
&lt;strong&gt;Plant&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/Deans_Taxter_Plant.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/Deans_Taxter_Plant.flv&lt;/a&gt;&lt;/span&gt;
&lt;/object&gt;
&lt;/dt&gt; &lt;/dl&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Plant&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;by &lt;strong class=&quot;spip&quot;&gt;Dean Kenning&lt;/strong&gt;
&lt;br /&gt;2009&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Silicon rubber, Styrofoam, motor
&lt;br /&gt;4 feet x 13 inch x 13 inch&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;One in a series of works of rubber kinetic sculptures with Styrofoam. The tuberous rubber forms are vaguely plant-like, but are also reminiscent of internal bodily structures such as nerves or veins. The chemical character of the material (Styrofoam, silicone rubber) makes this a totally artificial, poisonous (non-biodegradable) or alien type of nature. The aesthetic lies for the most part in the spasmodic, jerking rhythm of the &#8216;plants', something which detracts or distracts from any contemplative relation with the art object. I am interested in how to bring something &#8216;to life' by means of the most crude &#8216;special effect'. The work is &#8216;animated' not through some ethereal emotion, but quite literally with the use of a motor &#8211; and yet despite its ridiculing of the contemplative stance it allows for imaginative engagement and encourages anthropomorphic projection.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>TV Blobs</title>
		<link>http://aaaaaaa.org/a/?TV-Blobs,19</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?TV-Blobs,19</guid>
		<dc:date>2009-07-02T01:41:54Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Videos-">Videos</category>


		<description>. TV Blobs - Installation View &lt;br /&gt;by Antoine Catala &lt;br /&gt;2008 &lt;br /&gt;Dimensions Variable &lt;br /&gt;Cable TV Feed, 2 computers, 2 digital analog converter, video software &lt;br /&gt;Two TV signals are transformed in real-time via a computer and projected as spinning spheres on walls. &lt;br /&gt;Presented at the Mattress Factory for PreDrive, curated by Melissa Ragona, Pittsburgh 2008 and at PICA TBA festival, Portland Oregon (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;dl class='spip_document_167 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt class='spip_doc_titre'&gt;
&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; width=&quot;640&quot; height=&quot;480&quot;&gt;
&lt;param name=&quot;movie&quot; value=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; /&gt;
&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&amp;width=640&amp;height=480&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=TV+Blobs&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt;
&lt;strong&gt;TV Blobs&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&lt;/a&gt;&lt;/span&gt;
&lt;/object&gt;
&lt;/dt&gt; &lt;/dl&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;TV Blobs - Installation View&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;by &lt;strong class=&quot;spip&quot;&gt;Antoine Catala&lt;/strong&gt;
&lt;br /&gt;2008
&lt;br /&gt;Dimensions Variable
&lt;br /&gt;Cable TV Feed, 2 computers, 2 digital analog converter, video software&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Two TV signals are transformed in real-time via a computer and projected as spinning spheres on walls.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Presented at the Mattress Factory for PreDrive, curated by Melissa Ragona, Pittsburgh 2008 and at PICA TBA festival, Portland Oregon (upcoming).&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Couple in a Garden</title>
		<link>http://aaaaaaa.org/a/?Couple-in-a-Garden,18</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?Couple-in-a-Garden,18</guid>
		<dc:date>2009-07-02T01:34:03Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Videos-">Videos</category>


		<description>3 minutes extract of the 13 minutes long video. &lt;br /&gt;Couple in a Garden &lt;br /&gt;Video by Antoine Catala &lt;br /&gt;Music by Ensemble / Olivier Alary. &lt;br /&gt;Video &lt;br /&gt;2008 &lt;br /&gt;Dimensions Variable &lt;br /&gt;Using my own original footage of a young couple set against a backdrop of foliage, I have the camera pan and zoom around the tableau while compression errors in the video create streaks of distortion and color. Through the continuous motion of the video, the human forms become mutated in a visceral manner that exposes, in a palpably (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;3 minutes extract of the 13 minutes long video.&lt;/p&gt; &lt;div class='spip_document_69 spip_documents'&gt; &lt;object width='630' height='500'&gt;
&lt;param name='movie' value='IMG/mp4/Couple-in-a-Garden-Extract.mp4' /&gt;
&lt;param name='src' value='IMG/mp4/Couple-in-a-Garden-Extract.mp4' /&gt;
&lt;param name='lang' value='en' /&gt;&lt;param name='dir_racine' value='' /&gt;&lt;param name='id' value='69' /&gt;
&lt;embed src='IMG/mp4/Couple-in-a-Garden-Extract.mp4' lang='en' dir_racine='' id='69' width='630' height='500'&gt;&lt;/embed&gt;&lt;/object&gt; &lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Couple in a Garden&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Video by &lt;strong class=&quot;spip&quot;&gt;Antoine Catala&lt;/strong&gt;
&lt;br /&gt;Music by Ensemble / Olivier Alary.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Video
&lt;br /&gt;2008
&lt;br /&gt;Dimensions Variable&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Using my own original footage of a young couple set against a backdrop of foliage, I have the camera pan and zoom around the tableau while compression errors in the video create streaks of distortion and color. Through the continuous motion of the video, the human forms become mutated in a visceral manner that exposes, in a palpably uneasy way, a collapse between the viewer's perceptive faculty and the moving images themselves.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The video was exhibited at Karyn Lovergrove Gallery, LA (2008), Tony Wight Gallery, Chicago (2009) and Galerie Christine Mayer, Munich (2009).&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Projector on a Swing</title>
		<link>http://aaaaaaa.org/a/?Videos-Antoine-Catala-and-Dean</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?Videos-Antoine-Catala-and-Dean</guid>
		<dc:date>2009-07-01T17:03:13Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Videos-">Videos</category>


		<description>. Projector on a Swing &lt;br /&gt;Collaboration Antoine Catala and Dean Kenning &lt;br /&gt;2008-09 &lt;br /&gt;Projector, Plexiglas, String, Fucking Machine, Rubber &lt;br /&gt;Dimensions Variable &lt;br /&gt;A video projector, turned on, set to its default screen that says: &#8216;Please select video source' and placed on a plexiglas swing is pushed by a fucking machine (a sex machine) ended by a rubber hand. &lt;br /&gt;Shown at Galerie Christine Mayer, Munich, Germany, 2008 and Nobodies New York, The Month of May, New York, 2009, curated by Josh (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;dl class='spip_document_166 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt class='spip_doc_titre'&gt;
&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; width=&quot;720&quot; height=&quot;480&quot;&gt;
&lt;param name=&quot;movie&quot; value=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; /&gt;
&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/Projector_on_a_Swing_-_Nobodies_New_York.flv&amp;width=720&amp;height=480&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=Projector+on+a+Swing&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt;
&lt;strong&gt;Projector on a Swing&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/Projector_on_a_Swing_-_Nobodies_New_York.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/Projector_on_a_Swing_-_Nobodies_New_York.flv&lt;/a&gt;&lt;/span&gt;
&lt;/object&gt;
&lt;/dt&gt; &lt;/dl&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Projector on a Swing&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Collaboration Antoine Catala and Dean Kenning&lt;/strong&gt;
&lt;br /&gt;2008-09
&lt;br /&gt;Projector, Plexiglas, String, Fucking Machine, Rubber
&lt;br /&gt;Dimensions Variable&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;A video projector, turned on, set to its default screen that says: &#8216;Please select video source' and placed on a plexiglas swing is pushed by a fucking machine (a sex machine) ended by a rubber hand.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Shown at Galerie Christine Mayer, Munich, Germany, 2008 and Nobodies New York, The Month of May, New York, 2009, curated by Josh Kline.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Images</title>
		<link>http://aaaaaaa.org/a/?Kinetic-Pedestals-for-Video</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?Kinetic-Pedestals-for-Video</guid>
		<dc:date>2009-07-01T16:43:29Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-Images-">Images</category>


		<description>. Antoine Catala: TV Blobs &lt;br /&gt;Installation View at the Mattress Factory, Pittsburgh, PA, 2008 &lt;br /&gt;Dimensions Variable &lt;br /&gt;Cable Television, Analog to Digital Converters, Computers, Projectors &lt;br /&gt;Two cable television signals are transformed in real-time via a computer and projected as spinning spheres on walls. The bubble like shapes are spinning and the TV image is constantly being updated. .. &lt;br /&gt;. Antoine Catala: TV on Crumpled Paper &lt;br /&gt;Installation View at Taxter and Spengemann, New York, 2009 &lt;br /&gt;Television, (...)


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&lt;a href="http://aaaaaaa.org/a/?-Images-" rel="directory"&gt;Images&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_172 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_01-1d19c.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_173 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_02-4fed8.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala: TV Blobs&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Installation View at the Mattress Factory, Pittsburgh, PA, 2008
&lt;br /&gt;Dimensions Variable&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Cable Television, Analog to Digital Converters, Computers, Projectors&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Two cable television signals are transformed in real-time via a computer and projected as spinning spheres on walls. The bubble like shapes are spinning and the TV image is constantly being updated.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_174 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_03-03457.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_175 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_04-98a81.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala: TV on Crumpled Paper&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Installation View at Taxter and Spengemann, New York, 2009
&lt;br /&gt;Television, Projector, Paper, Tape
&lt;br /&gt;Dimensions Variable&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Real-time cable television signal projected onto a piece of crumpled paper.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_176 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH356/Catala_Kenning_Collaboration_05-06f21.jpg' width='520' height='356' alt=&quot;&quot; style='height:356px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_177 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH354/Catala_Kenning_Collaboration_06-0ffd3.jpg' width='520' height='354' alt=&quot;&quot; style='height:354px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala: Couple in a Garden&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Video Still, 2008
&lt;br /&gt;Dimensions Variable&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The video was exhibited at Karyn Lovergrove Gallery, LA (2008), Tony Wight Gallery, Chicago (2009) and Galerie Christine Mayer, Munich (2009).&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Using my own original footage of a young couple set against a backdrop of foliage, I have the camera pan and zoom around the tableau while compression errors in the video create streaks of distortion and color. Through the continuous motion of the video, the human forms become mutated in a visceral manner that exposes, in a palpably uneasy way, a collapse between the viewer's perceptive faculty and the moving images themselves.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_178 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH426/Catala_Kenning_Collaboration_07-3a810.jpg' width='520' height='426' alt=&quot;&quot; style='height:426px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_179 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH400/Catala_Kenning_Collaboration_08-ac574.jpg' width='520' height='400' alt=&quot;&quot; style='height:400px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Dean Kenning: Sunset Over Civilisation&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Performance Photo, 2006
&lt;br /&gt;Performed at Foul Side of the Sun at Bar-A-Bar, London, and Itchy Park, Limehouse Town Hall, London.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The piece takes its title from art historian Sir Kenneth Clark's monumental TV series from the late 60s Civilisation. A decrepit &#8216;professor' made from a moving electric fan, delivers an apocalyptic lecture from behind a desk. His words (pre-recorded by an actor) are delivered through a speaker-mouth and into a microphone, and his head moves from side to side. Meanwhile I operate the slide projector, changing slides when the &#8216;professor' announces that I should do so, and spilling ink and acid onto the series of famous paintings and drawings projected on the screen. The usually serene, disembodied character of the lecture format, with its stage-like quality (podiums, spotlights, etc.) is estranged and rendered grotesquely physical, whilst the academic litany of old master slides transmutes into a psychedelic show.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_180 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_09-4a4b0.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_181 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_10-5e3e1.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Dean Kenning: Plant&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Installation Shot, Taxter and Spengemann, New York, 2009&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Silicon Rubber, Motor, Styrofoam&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;One in a series of works of rubber kinetic sculptures with Styrofoam. The tuberous rubber forms are vaguely plant-like, but are also reminiscent of internal bodily structures such as nerves or veins. The chemical character of the material (Styrofoam, silicone rubber) makes this a totally artificial, poisonous (non-biodegradable) or alien type of nature. The aesthetic lies for the most part in the spasmodic, jerking rhythm of the &#8216;plants', something which detracts or distracts from any contemplative relation with the art object. I am interested in how to bring something &#8216;to life' by means of the most crude &#8216;special effect'. The work is &#8216;animated' not through some ethereal emotion, but quite literally with the use of a motor &#8211; and yet despite its ridiculing of the contemplative stance it allows for imaginative engagement and encourages anthropomorphic projection.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_182 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH460/Catala_Kenning_Collaboration_11-35d3a.jpg' width='520' height='460' alt=&quot;&quot; style='height:460px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Dean Kenning: Specter&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Performance Photo, 2006&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Made for the performance event Illuminated Chain of Master Freedom, The Griffin, London.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The image shows my face projected onto a balloon in a pitch-black room. I had blown up the balloon, attached it to the ceiling, and then sat with my back to the audience. Facing a video camera connected to a projector, my head, under-lit, is projected above me onto the balloon; it appears and disappears as I read out a dialogue between a questioner and a &#8216;spectre'. The effect is of a ghostly apparition hovering above the audience.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_183 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_12-f54a3.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_184 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/Catala_Kenning_Collaboration_13-7b0dc.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala - Dean Kenning: Projector on a Swing&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Installation shot at Nobodies New York, New York, 2009&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The sculpture was presented at Galerie Christine Mayer, Munich (2008) and Nobodies New York, New York (2009).&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;A projector, switched on to its default screen that says: &#8216;Please select video source' and set up on a plexiglas swing is pushed back and forth by a fucking machine (a sex machine) terminated by a rubber hand.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_185 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH410/Catala_Kenning_Collaboration_14-e1dd0.jpg' width='520' height='410' alt=&quot;&quot; style='height:410px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala - Dean Kenning: Projector on a Swing&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Proposal Photoshop Sketch for the Sculpture Center Open Call&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Sketch for two trembling rubber pedestals for video projectors set to their default screens.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_186 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH520/Catala_Kenning_Collaboration_15-4ed43.jpg' width='520' height='520' alt=&quot;&quot; style='height:520px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;h3 class=&quot;spip&quot;&gt;Antoine Catala - Dean Kenning: Projector on a Swing&lt;/h3&gt;
&lt;p class=&quot;spip&quot;&gt;Proposal Photoshop Sketch for the Sculpture Center Open Call&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Internal diagram for trembling rubber pedestal for video projector.&lt;/p&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>



	<item>
		<title>TV blobs</title>
		<link>http://aaaaaaa.org/a/?TV-Blobs</link>
		<guid isPermaLink="true">http://aaaaaaa.org/a/?TV-Blobs</guid>
		<dc:date>2009-06-13T06:33:31Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>antoine</dc:creator>

<category domain="http://aaaaaaa.org/a/?-works-">works</category>


		<description>Projected TV spinning on a wall. Video projections. Made at the Mattress Factory, Pittsburgh. &lt;br /&gt;. . &lt;br /&gt;.


-
&lt;a href="http://aaaaaaa.org/a/?-works-" rel="directory"&gt;works&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;Projected TV spinning on a wall. Video projections. Made at the Mattress Factory, Pittsburgh.&lt;/p&gt; &lt;dl class='spip_document_167 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt class='spip_doc_titre'&gt;
&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; width=&quot;640&quot; height=&quot;480&quot;&gt;
&lt;param name=&quot;movie&quot; value=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; /&gt;
&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&amp;width=640&amp;height=480&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=TV+Blobs&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt;
&lt;strong&gt;TV Blobs&lt;/strong&gt;
&lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/TV_Blobs_with_Shabd_-_MF_-2008.flv&lt;/a&gt;&lt;/span&gt;
&lt;/object&gt;
&lt;/dt&gt; &lt;/dl&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;dl class='spip_document_164 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt class='spip_doc_titre'&gt;
&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; width=&quot;640&quot; height=&quot;480&quot;&gt;
&lt;param name=&quot;movie&quot; value=&quot;plugins/Lecteur_multimedia/player_flv_maxi.swf&quot; /&gt;
&lt;param name=&quot;FlashVars&quot; value=&quot;flv=http://aaaaaaa.org/a/IMG/flv/SpongeBob_Song_2.flv&amp;width=640&amp;height=480&amp;bgcolor1=ffffff&amp;bgcolor2=cccccc&amp;buttoncolor=999999&amp;buttonovercolor=0&amp;slidercolor1=cccccc&amp;slidercolor2=999999&amp;sliderovercolor=666666&amp;textcolor=0&amp;showstop=1&amp;title=&amp;ondoubleclick=fullscreen&amp;showfullscreen=1&amp;autoplay=0&quot; /&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt; &lt;span&gt;&lt;a href=&quot;http://aaaaaaa.org/a/IMG/flv/SpongeBob_Song_2.flv&quot; rel=&quot;enclosure&quot;&gt;IMG/flv/SpongeBob_Song_2.flv&lt;/a&gt;&lt;/span&gt;
&lt;/object&gt;
&lt;/dt&gt; &lt;/dl&gt;
&lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;
&lt;p class=&quot;spip&quot;&gt;&lt;span class='spip_document_146 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4139-bc0b1.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_148 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4157-c24c8.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_149 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4173-d33b6.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_150 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4181-336a5.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_151 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4207-62a09.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_152 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4226-445c4.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_153 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4228-c44b7.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;
&lt;span class='spip_document_156 spip_documents spip_documents_left' style='float:left; width:520px;' &gt;
&lt;img src='http://aaaaaaa.org/a/local/cache-vignettes/L520xH347/IMG_4263-54084.jpg' width='520' height='347' alt=&quot;&quot; style='height:347px;width:520px;' class='' /&gt;&lt;/span&gt;&lt;/p&gt; &lt;div style=&quot;clear: both;&quot;&gt;.&lt;/div&gt;&lt;/div&gt;
		
		</content:encoded>


		
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